Home
Tube Amps
You are here:  Guitars and Accessories > Tube Amps

Sort Items by:  Price (High to Low) | Alphabetically

Switch to Enhanced View of Tube Amps


A Designs MP 1A Mono Tube Microphone Preamplifier
List Price: $1,825.00
 Available from Musicians Friend
 $1,595.00
 on 6-18-2008
 Larger Image
Enhanced View
Buy it Now!

True tube stereo preamp with unique tone switches offers boutique performance at an affordable price.

There aren't many companies that can design and build one preamp that engineers and producers feel that they could make an entire record with. A Designs Audio has built two. The all-tube MP-1A and the solid-state Pacifica, but we're here to talk about the MP-1A (you can check out the Pacifica later). With A Designs Audio's MP-1A, not only do you get a never-ending sweetspot and sonic majesty, it also gets top marks in "works and plays well with others." Meaning, while some preamps are picky when it comes to mics, the MP-1A welcomes all — and sounds great no matter what you put through it — ribbon, dynamic, or condenser. Better still, while the MP-1A falls squarely into the realm of "color" preamp, it never overwhelms a track with too much character. If you've been searching for an all-tube preamp with a rich bottom end, sweet and airy top end and enough tonal versatility to record all of your tracks without over-colorization at mixdown, think A designs Audio MP-1A.

A Designs Audio MP-1A, First Take:

  • True tube in, tube out mono mic preamp
  • World-class custom-wound transformers
  • Two "tone" switches, give you four unique tone signatures.
  • Audiophile quality and components and a price below comparable boutique preamps


True tube mic preamp

The MP-1A is a classic 1-channel tube mic pre based on the celebrated MP-1. It offers the same true tube in / tube out design, plus the same quality that made the original MP-1 and MP-2 the buzz of the professional audio industry. New features include a -20 db pad switch, two selectable tone switches for four possible tones, plus 60db of gain (perfect for next generation ribbon mics) Classic features include a world-class Cinemag input transformer coupled with a custom wound output transformer, delivering the low noise and top quality sound that you demand from a high-end, high-priced mic-pre. Additional features include a balanced combo XLR/1/4 inch input, a true VU meter, phantom power and phase reverse switches, and a front panel line level input jack.

Custom transformers, the key to punchy sound and quiet operation

A lot of preamp builders believe that transformers are things to be avoided, but in reality, they're responsible for the sound we prefer in rock/pop music. The trick is finding good ones. Bad transformers can ring or decimate the upper frequency range, but when a transformer is properly designed and built, such as those by Cinemag (who's lineage includes making transformers for the top consoles in recording history) they are a thing of beauty, delivering a full, punchy sound like no other. Plus, thanks to the superior electronic isolation of transformers, noise and hum is reduced. That's why you can overdrive an MP-1A and get rich, milky distortion without the extra noise. The transformers you find in A Designs Audio's preasmps are hand- and "ear-" built by Tom Reichenbach of Cinemag. Tom is the son of the designer of the legendary Quad Eight consoles, whose sound rivaled Neve and API consoles at one-tenth the price.

Tonal Versatility

With a lot of preamps, you'll find that they tend to have only one setting where you hear the magic. Move past it, and the magic is gone. The problem is that you can't always run it at that setting based on the strength (or lack of) of your input source. Then you have the A Designs Audio MP-1A all-tube, mono preamp. Thanks to its fixed-gain amplifier design (with input attenuator), you get consistent behavior whether the preamp is turned up or down. Add to this the fact that you have 2 "tone" switches that give you a palette of four unique, world-class sonic flavors, and you'll understand why we say you could make an entire record with just this one preamp.

Audiophile quality and sound made affordable.

Built to audiophile-quality standards with a price tag well below other boutique preamps in the same class, the MP-1A is a true tube preamp with no solid state components in the signal path. The MP-1A relies solely on tubes, film capacitors, and custom transformers. To maintain the integrity and purity of its sonic signature, bells and whistles are kept to a minimum. This serves two purposes. First, the more switches in the circuit path, the more sound quality can be negatively affected. Second, by keeping only necessary features, costs are kept down—and your money goes where it really counts—sound quality.

With the A Designs MP-1A has obviously succeeded in their mission "Pro audio made affordable." Here's what users are saying about the MP-1A:

"A welcome addition to the ranks of top-quality mic pres "

"Stunning sound quality with serious bass response and a warm, airy top end typical of great tube mic pres."

"Mr. Clean, with some bite...Comes through with warmth and transparency...a clean and airy high end"

To sum it all up, The MP-1A is a professional class preamp for use on a variety of sources that delivers warmth, transparency, and a quality sound with a clean and airy high end like only a high quality all-tube pre-amp can.

A-Designs MP-1A Mono Tube Microphone Preamplifier Specifications:

  • Input Impedance: 1.4k Ohm
  • Gain Range: 60 dB
  • Noise (EIN): -128 dB
  • Mic Phantom Power: 48 Volt, Switchable
  • Mic Input Phase: 0-180 Switchable
  • Instrument Jack Input: rear XLR / front 1/4"
  • Input Impedance: Min > 100k Ohm
  • Balanced Output: XLR
  • Output Impedance: 600 Ohm Switchable to 10k
  • Maximum Level: +22 dBu
  • Output: Low-Z, transformer-balanced
  • Frequency Response: 28 Hz - 60k Hz
  • Distortion (THD): > .08 @ 1 Khz
  • Power Requirements: 100/120/230 VAC - 42 Watts
  • Dimensions (W x H x D): 19" x 3.5" x 10" (482 x 89 x 254 mm)
  • Weight: 18 lbs.(6.8 kg)
  • Shipping Weight: 20 lbs (7.7 kg)

A-Designs MP-1A Mono Tube Microphone Preamplifier Features:

  • EF86 Input Tubes
  • 6N1P Output Tubes
  • Cinemag Input Transformers
  • Custom Wound Output Transformers
  • VU Meters
  • Level Controls
  • -20dB Pad Switch
  • Polarity Switch
  • Phase Switch
  • Two Selectable Tone Switches
  • Custom Milled Face Plate
  • Solid Vented Metal Frame
  • 2UR
  • Toroid Power Transformer
  • XLR Input Connectors
  • XLR Output Connectors
  • 1/4 Inch Direct Injects
  • High Gain (60 dB)

The MP-2A brings the warmth and richness of analog to your recordings while maintaining a crystal clear spectrum of sound. Order yours now and feel the love.



A Designs MP 2A Stereo Tube Microphone Preamplifier
List Price: $2,795.00
 Available from Musicians Friend
 $2,495.00
 on 6-18-2008
 Larger Image
Enhanced View
Buy it Now!

True tube stereo preamp with unique tone switches offers boutique performance at an affordable price.

There aren't many companies that can design and build one preamp that engineers and producers feel that they could make an entire record with. A Designs Audio has built two. The all-tube MP-2A and the solid-state Pacifica, but we're here to talk about the MP-2A (you can check out the Pacifica later). With A Designs Audio's MP-2A, not only do you get a never-ending sweetspot and sonic majesty, it also gets top marks in "works and plays well with others." Meaning, while some preamps are picky when it comes to mics, the MP-2A welcomes all — and sounds great no matter what you put through it — ribbon, dynamic, or condenser. Better still, while the MP-2A falls squarely into the realm of "color" preamp, it never overwhelms a track with too much character. If you've been searching for an all-tube preamp with a rich bottom end, sweet and airy top end and enough tonal versatility to record all of your tracks without over-colorization at mixdown, think A designs Audio MP-2A.

A Designs Audio MP-2A, First Take:

  • True tube in, tube out stereo mic preamp
  • World-class custom-wound transformers
  • Two "tone" switches, give you four unique tone signatures.
  • Audiophile quality and components and a price below comparable boutique preamps


True tube mic preamp

The MP-2A is a classic 1-channel tube mic pre based on the celebrated MP-1. It offers the same true tube in / tube out design, plus the same quality that made the original MP-1 and MP-2 the buzz of the professional audio industry. New features include a -20 db pad switch, two selectable tone switches for four possible tones, plus 60db of gain (perfect for next generation ribbon mics) Classic features include a world-class Cinemag input transformer coupled with a custom wound output transformer, delivering the low noise and top quality sound that you demand from a high-end, high-priced mic-pre. Additional features include a balanced combo XLR/1/4 inch input, a true VU meter, phantom power and phase reverse switches, and a front panel line level input jack.

Custom transformers, the key to punchy sound and quiet operation

A lot of preamp builders believe that transformers are things to be avoided, but in reality, they're responsible for the sound we prefer in rock/pop music. The trick is finding good ones. Bad transformers can ring or decimate the upper frequency range, but when a transformer is properly designed and built, such as those by Cinemag (whose lineage includes making transformers for the top consoles in recording history) they are a thing of beauty, delivering a full, punchy sound like no other. Plus, thanks to the superior electronic isolation of transformers, noise and hum is reduced. That's why you can overdrive an MP-2A and get rich, milky distortion without the extra noise. The transformers you find in A Designs Audio's preasmps are hand- and "ear-" built by Tom Reichenbach of Cinemag. Tom is the son of the designer of the legendary Quad Eight consoles, whose sound rivaled Neve and API consoles at one-tenth the price.

Tonal Versatility

With a lot of preamps, you'll find that they tend to have only one setting where you hear the magic. Move past it, and the magic is gone. The problem is that you can't always run it at that setting based on the strength (or lack of) of your input source. Then you have the A Designs Audio MP-2A all-tube, stereo preamp. Thanks to its fixed-gain amplifier design (with input attenuator), you get consistent behavior whether the preamp is turned up or down. Add to this the fact that you have 2 "tone" switches per channel that give you a palette of four unique, world-class sonic flavors, and you'll understand why we say you could make an entire record with just this one preamp.


Audiophile quality and sound made affordable.

Built to audiophile-quality standards with a price tag well below other boutique preamps in the same class, the MP-2A is a true tube preamp with no solid state components in the signal path. The MP-2A relies solely on tubes, film capacitors, and custom transformers. To maintain the integrity and purity of its sonic signature, bells and whistles are kept to a minimum. This serves two purposes. First, the more switches in the circuit path, the more sound quality can be negatively affected. Second, by keeping only necessary features, costs are kept down—and your money goes where it really counts—sound quality.

With the A Designs MP-2A has obviously succeeded in their mission "Pro audio made affordable." Here's what users are saying about the MP-2A:

"Stunning sound quality with serious bass response and a warm, airy top."

"Adding the MP-2 to my Direct-to-Disk DAW was like finding the holy grail of warm analog sound. I use it on everything from bass to guitars to vocals to drum mics and more. Absolutely incredible."

"Few pieces of gear get serious audio hounds salivating like a nice, juicy tube microphone preamp... The A Designs MP-2A is among the cream of the crop" To sum it all up, The MP-2 is a professional class preamp for use on a variety of sources that delivers warmth, transparency, and a quality sound with a clean and airy high end like only a high quality all-tube pre-amp can.

A-Designs MP-2A Stereo Tube Microphone Preamplifier Specifications:

  • Input Impedance: 1.4k Ohm
  • Gain Range: 60 dB
  • Noise (EIN): -128 dB
  • Mic Phantom Power: 48 Volt, Switchable
  • Mic Input Phase: 0-180 Switchable
  • Instrument Jack Input: dual XLR rear plus dual 1/4" front
  • Input Impedance: Min > 100k Ohm
  • Balanced Output: dual XLR
  • Output Impedance: 600 Ohm switchable to 10k
  • Maximum Level: +22 dBu
  • Output: Low-Z, transformer-balanced
  • Frequency Response: 28 Hz - 60k Hz
  • Distortion (THD): > .08 @ 1 Khz
  • Power Requirements: 100/120/230 VAC - 42 Watts
  • Dimensions (W x H x D): 19" x 3.5" x 10" (482 x 89 x 254 mm)
  • Weight: 18 lbs. (6.8 kg)
  • Shipping Weight: 20 lbs (7.7 kg)

A-Designs MP-2A Stereo Tube Microphone Preamplifier Features:

  • All True Tube Design
  • Dual EF86 Input Tubes
  • Dual 6N1P Output Tubes
  • Dual Cinemag Input Transformers
  • Dual Custom Wound Output Transformers
  • Dual VU Meters
  • Dual Level Controls
  • Dual -20dB Pad Switch
  • Dual Polarity Switch
  • Dual Phase Switches
  • Two pairs of Selectable Tone Switches
  • Custom Milled Face Plate
  • Solid Vented Metal Frame
  • 2U Rack size
  • Toroid Power Transformer
  • Dual XLR Input Connectors
  • Dual XLR Output Connectors
  • Dual 1/4 Inch Direct Injects
  • High Gain (60 dB)

The MP-2A brings the warmth and richness of analog to your recordings while maintaining a crystal clear spectrum of sound. Order yours now and feel the love.



A Designs REDDI Tube Direct Box
List Price: $795.00
 Available from Musicians Friend
 $719.99
 on 6-18-2008
 Larger Image
Enhanced View
Buy it Now!

All-tube DI with incredibly high-quality sound at a project-studio price.

What do world-class bassists Reggie Hamilton and Justin Meldal-Johnsen have in common with producer/engineers Tony Shepperd, Ted Perlman, and Dylan Dresdow? The answer is using the A-Designs REDDI Tube Direct Box as their go-to DI. The REDDI has been field tested and referred to by recording engineers as the "best tube DI ever made." With wider bandwidth and just the right amount of gain, the REDDI stands clear and clean above the competition. Great for basses, guitars, synths, and electronic instruments that require a direct box for recording, the REDDI is ready to give you sound for recording or live performance that you won t ever want to be without.

A Designs Audio REDDI, First Take:

  • All-tube direct box with custom output transformer
  • Based on the Ampeg B-15 with an ultra-wide frequency range
  • New version adds a 1/4" thru jack
  • Field-tested by notable engineers/producers before release


All-tube and custom transformers the key to big, punchy sound
Inside its unmistakable fire-engine red case, the REDDI houses a toroid power transformer, which offers the quietest operation, and a 6N1P tube-driven amplifier that feeds signal direct into a massive custom output transformer. Therein lies the secret to its sound. It s a well-known fact that transformers are responsible for a truly big, punchy sound (also called the big iron sound of the 70s). By sending the tube-amplified, harmonically rich signal direct to a transformer that is hand and ear built you get a sound like no other. (You don t have to take our word for it, see what the pros are saying below.)

Ultra-wide Frequency Range
Based on the sound of the legendary Ampeg B15 all-tube bass amp, The REDDI's tone is tight, focused, and deep in essence, right in the pocket. It s ultra wide frequency range is another reason for the depth and clarity of the bass, as well as its unique ability to add a sense of dimensionality to whatever instrument is played through it. Another thing that professional bassists have discovered, is that rather than combining the DI sound with an amp, as is customary in bass recording, that sound of the REDDI alone is just perfect. On guitar, keyboards, and other electronic instruments, the REDDI works its particular brand of magic just as effectively as it does on bass. In fact, once you own a REDDI, you ll be tempted to put just about anything you can through it. (In fact, Grammy-winning producer Ted Perlman, has even used the REDDI with a Shure Green Bullet mic to record harmonica!)

New version adds a 1/4" thru jack
In order to keep the focus of the REDDI on sound quality, A Designs included only the most necessary features. On the original version of the REDDI, A Designs Audio had eliminated the 1/4" thru-put. The reason was because the REDDI sounded so good on its own, A Designs wanted users to realize that they didn t need to combine a miked amp with the direct sound of the REDDI. But A Designs listens to its customers and added a 1/4" thru jack without compromising sound quality. A Designs also refuses to sacrifice sound quality for high gain. As such, the REDDI is not a high-gain device, rather, it has just the right amount to keep its sound intact.

The REDDI s front panel features include a combo XLR/1/4-inch input, balanced XLR output, a level control knob, and very bright blue LED power indicator. On the rear panel, there s an on/off power switch, ground lift, and EIN power connector.

Field tested by Audio Professionals
Taking its place in A Designs Audio's line up of "all tube" high-end microphone pre-amplifiers and equalizers, the REDDI is another example A Designs mission of making pro audio affordable. As always, A-Designs Audio field tests its products before releasing them to the public with notable engineers and musicians like Dylan Dresdow (TEC Award Nominee and Grammy Award nominee for Black Eyed Peas), Ross Hogarth (Grammy Award winner) Viktor Krauss (bassist for Lyle Lovett and renowned studio musician) and Reggie Hamilton (session/live bassist for Babyface, Seal, Bette Midler, etc.) who recently used the REDDI on his bass tracks for the new film Dreamgirls.

Here s what top engineers, producers, and musicians are saying about the REDDI:

"The sound of the REDDI all tube direct box on my bass and guitars is dramatic. When people come in and listen, they just go "WOW what's that? What did you do to get that sound?" It not only delivers on bass and keys, but just out and out kills on acoustic guitars with pickups. It puts something on the sound that makes them jump and be present in the mix without that electric-type sound." Ted Perlman, Grammy Award-winning producer, engineer, musician (Bob Dylan, Chicago, Elton John, Burt Bacharach).

"Now, the REDDI is my favorite DI and definitely my go-to on bass." Dylan Dresdow (Black Eyed Peas), Grammy Award nominee, Tech Award nominee, engineer.

"The REDDI is not only the largest and brightest colored DI that I've encountered, it's the best sounding." Russ Long, Pro Audio Review, 11/1/2005.

"The New REDDI DI from A Designs kicks ass..." Ross Hogarth, Grammy Award winning producer, engineer, mixer.

"I didn't use an amp at all. I used only the REDDI and it sounded really, really nice." Justin Meldan-Johnsen, Bassist with Beck.

"If it needs to be really clean, then I'll just use the REDDI." Viktor Krauss, bassist for Lyle Lovett.

"I've used a number of DIs on electric pianos over the years, active, passive, tube, solid state, whatever was around. But, I don't remember that any of them worked as well or sounded as good as the REDDI." Dave Martin, Recording Magazine

"REDDI's first outing was on an active bass. The bass player's head turned as soon as he heard his instrument in the phones. It was an instant hit both in and out of the control room." Kevin Becka, Mix Magazine

The REDDI is only the second product I've had in for review [this year] that I sent back and then realized how much I missed it when it was gone." Dan Richards, Studio Review

"The best way I can describe what REDDI adds is dimension. It reveals a wide range of harmonics in a source, with an excellent translation of an instrument's character. It doesn't have to be blended with an amp signal to sound good. I tried it with electric guitar and bass as well as a synthesizer, and found the REDDI to perform impressively on every source." Frank Moldstad, Digital Pro Sound

A-Designs REDDI Tube Direct Box Specifications:

  • Input Impedance Min1.4k Ohm
  • Gain Range 16 dB
  • Noise (EIN) -126 dB
  • Instrument Jack Input XLR / 1/4" combo
  • Input Impedance Min > 100k Ohm
  • Balanced XLR Output:
  • Output Impedance 600 Ohm
  • Maximum Level +22 dBu
  • Output Low-Z, transformer-balanced
  • Frequency Response 20 Hz - 60k Hz
  • Distortion THD: > .08 @ 1 Khz
  • Power Requirements: 100/120/230 VAC - 42 Watts
  • Dimensions (W x H x D) 3.5" x 3.5" x 14.5"
  • Weight 10 lbs. (4.54 kg.)

A-Designs REDDI Tube Direct Box Features:

  • Warmth, transparency, and quality sound, clean and airy high end
  • Vacuum-tube design
  • Perfect gain
  • Level Control
  • Ground lift
  • Front cover overlaps to provide protection for controls
  • Thru Jack 1/4"
  • Heat Vents allow the flow and circulation of air to cool the tubes and transformers. Located on both sides, front and back
  • Ultra bright Blue LED Lamp On/Off
  • Neutrik Combo XLR/1/4" Input Connectors
  • XLR Output Connector
  • Zero Feedback Loop
  • Custom Wound Output Transformers
  • Large size for easy operation up and down
  • Back cover extends slightly to provide protection to switches
  • Power Switch On/Off
  • Power A/C inlet
  • 6NI-P Tube

A Designs has scoured the earth for the perfect combination of tubes for this unique quality sound. Go ahead, order now and experience the warmth, clarity, and punch that the REDDI can deliver to your recordings.



Ampeg BA115HP 220 Watt 1x15 Bass Series Combo Amp
 Available from Musicians Friend
 $599.99
 on 6-18-2008
 Larger Image
Enhanced View
Buy it Now!

The BA115HP is stripped down and ready to rock.

Simple and to the point, the BA115HP has a 220W power section, custom 15" woofer, and 1" compression tweeter with a variable pad to adjust the crossover level. The straightforward-yet-effective EQ controls deliver lots of tonal flexibility, especially in conjunction with the Style response control. An XLR direct out allows patching to a mixing board or recording console while the built-in digital chromatic tuner and mute switch make it easy to tune silently.

Ampeg BA115HP 220 Watt 1x15 Bass Series Combo Amp Features:

  • 220W power output
  • Custom 15" Ampeg driver
  • 1" compression driver
  • 3-band EQ
  • 5-position Style mid control
  • Built-in tuner
  • Input gain and master
  • CD input
  • Mute switch
  • 21"W x 21"H x 15-1/2"D
  • 80 lbs.

The BA115HP deliverse the solid Ampeg sound in a compact, practice-friendly package. Order yours today!



Ampeg J 20 Jet 20W 1x12 Tube Guitar Combo Amp
List Price: $1,189.99
 Available from Musicians Friend
 $849.99
 on 6-18-2008
 Larger Image
Enhanced View
Buy it Now!

An all-tube, hand-wired rocket-ride to vintage guitar tone.

The J-20 Jet tube guitar amp is a retro-styled sweetheart of a combo amp highly evocative of the '60s in attitude and tone. Part of Ampeg's Diamond Blue Lead Series, this all-tube amplifier is the product of Ampeg's tone-obsessed engineering staff who came up with the no-compromise design of the 20-watt, point-to-point wired J-20 combo.

The J-20 boasts three 12AX7 preamp section tubes and a dual 6V6 Class AB output stage. The result of all this "inner tubing" is a guitar combo with controllable vintage crunch along with Ampeg's hallmark ease-of-operation. The simple Volume/Tone control setup makes it easy to quickly dial in just the right amount of edge for personal bliss.

With its point-to-point wiring, 5AR4 rectifier tube, 12" alnico speaker, and foot-switchable, bias-vary tremolo circuitry, the Ampeg J-20 amp is a no-compromise guitar combo ideal for even the most tone-obsessed guitarist.

Ampeg J-20 Jet 20W 1x12 Tube Guitar Combo Amp Features:

  • Vintage-style point-to-point wired tube guitar combo
  • 20W power
  • Fixed bias Class AB design
  • 12" alnico speaker
  • 3 - 12AX7 preamp tubes
  • 2 - 6V6 power tubes
  • 5AR4 tube rectifier
  • Volume and Tone controls
  • Tremolo circuit
  • Tremolo On/Off footswitch
  • Dual 1/4" outputs
  • 20"W x 17.5"H x 9.75"D
  • 25 lbs.

Ampeg's been making killer guitar amps since the '60s and the J-20 is destined to become one of the most revered among them. Order yours now!



Ampeg J 20 Jet 20W 1x12 Tube Guitar Combo Amp Scratch 'n' Dent
List Price: $1,189.99
 Available from Musicians Friend
 $739.49
 on 6-18-2008
 Larger Image
Enhanced View
Buy it Now!

An all-tube, hand-wired rocket-ride to vintage guitar tone.

The J-20 Jet tube guitar amp is a retro-styled sweetheart of a combo amp highly evocative of the '60s in attitude and tone. Part of Ampeg's Diamond Blue Lead Series, this all-tube amplifier is the product of Ampeg's tone-obsessed engineering staff who came up with the no-compromise design of the 20-watt, point-to-point wired J-20 combo.

The J-20 boasts three 12AX7 preamp section tubes and a dual 6V6 Class AB output stage. The result of all this "inner tubing" is a guitar combo with controllable vintage crunch along with Ampeg's hallmark ease-of-operation. The simple Volume/Tone control setup makes it easy to quickly dial in just the right amount of edge for personal bliss.

With its point-to-point wiring, 5AR4 rectifier tube, 12" alnico speaker, and foot-switchable, bias-vary tremolo circuitry, the Ampeg J-20 amp is a no-compromise guitar combo ideal for even the most tone-obsessed guitarist.

Ampeg Blem J-20 Jet 20W 1x12 Tube Guitar Combo Amp Features:

  • Vintage-style point-to-point wired tube guitar combo
  • 20W power
  • Fixed bias Class AB design
  • 12" alnico speaker
  • 3 - 12AX7 preamp tubes
  • 2 - 6V6 power tubes
  • 5AR4 tube rectifier
  • Volume and Tone controls
  • Tremolo circuit
  • Tremolo On/Off footswitch
  • Dual 1/4" outputs
  • 20"W x 17.5"H x 9.75"D
  • 25 lbs.

Ampeg's been making killer guitar amps since the '60s and the J-20 is destined to become one of the most revered among them. Order yours now!



Ampeg SVT 2 Pro Series Amp Head
List Price: $2,659.99
 Available from Musicians Friend
 $1,899.99
 on 6-18-2008
 Larger Image
Enhanced View
Buy it Now!

Deep sound, great looks, and tone from the heart!

The Ampeg SVT-2 Pro Series Amp Head is a shining example of Ampeg's attention to quality and detail. You know it's right when the sound you hear matches the sound in your imagination. For over 5 decades, Ampeg has been helping bass players reach that place where it all comes together. 5 - 12AX7 tubes in the SVT-2 Pro Head provide you with gobs of tone, texture, and gain, while the six - 6550s launch 300 heart-thumping watts into the air. Flexible EQ including 3 tone controls, a 5-position midband frequency control, and a nine-band graphic equalizer work together to help you shape the tone you demand from your gear. The 1/4" thick extruded aluminum front panel not only look good, it is essential for safe racking. With the power and flexibility of the Ampeg SVT-2 Pro Amp Head, your creative mind has the palette to deliver the goods!

Ampeg SVT-2 Pro Series Amp Head Specifications:

  • Preamp tubes: 5 - 12AX7s
  • Driver tubes: one 12AX7, 2 - 12AU7s
  • Power amp tubes: 6 - 6550s
  • RMS power: 300W into 2-4 ohms
  • Tone controls: 3-band EQ
  • Mid tone control: 5 position
  • Graphic EQ: 9-band
  • Ultralow/high boosts: yes
  • Transformer-balanced line out
  • Effects loop
  • Preamp out/power amp in
  • 19"W x 7-1/2"H x 15-3/4" D
  • 70 lbs.

Ampeg SVT-2 Pro Series Amp Head Features:

  • Unique tube drive control
  • Input peak LED
  • Input pad and bright switch
  • Mute function
  • Tuner out
  • User bias controls
  • Tube protection circuitry
  • 3 oversized transformers
  • Timed delayed turn-on
  • DC supplied filament
  • High-capacity fan

Get down with your bad self - ORDER THE SVT-2 TODAY!



Ampeg SVT CL Classic Bass Head
List Price: $2,249.99
 Available from Musicians Friend
 $1,599.99
 on 6-18-2008
 Larger Image
Enhanced View
Buy it Now!

It's the original all-tube monster bass amp, the classic of classics!

The reissue Ampeg SVT-CL Classic Bass Head brings back in all its glory a classic big stage amp that was the choice of players in the '60s. There's no question that the SVT-CL delivers 300W (to either 2 or 4 ohms). Its tube array includes 2 - 12AX7s in the preamp, 2 - 12AU7s and a 12AX7 for drivers, and six - 6550s for power. Controls include 3 bands of tone, a 5-way mid selector, plus ultralow and high boosts. Other pro features on the Ampeg SVT-CL Bass Head include normal and padded inputs, tube protection circuitry, auto-fault mode, fan cooling, slave output jack, 4/2 ohm selector, user biasing controls, and 3-position AC polarity switch. 24"W x 11-1/2"H x 13"D. 80 lbs.

Ampeg SVT-CL Classic Bass Head Features:

  • 300W tube power
  • Three-band tone/five-way mid selector/low and high boosts
  • Normal and padded inputs
  • Tube protection circuitry
  • Fan cooled
  • Slave output

Emulate, schmemulate. If you want REAL tube tone, you gotta get REAL tubes. Make the investment today. You'll never regret it.



Ampeg SVT VR Vintage Reissue 300 Watt SVT Amp Head
List Price: $2,799.99
 Available from Musicians Friend
 $1,999.99
 on 6-18-2008
 Larger Image
Enhanced View
Buy it Now!

A vintage reissue of the highly sought after 1970's blue-line SVT head.

With the new SVT-VR, the Ampeg engineering and product development teams had one primary goal-get as close to the coveted tone of the classic SVT as possible. As a result, the preamp stage, power section, and even the rocker switches of the new SVT-VR emulate the exact signal path, tone, and vibe of the original.

The all-tube, 300-watt SVT-VR amplifier is driven by a total of six 6550 power tubes for massive power and tone. In addition to the '70s style dials and rocker switches, the SVT-VR's preamp circuitry has been faithfully re-created to match the original.

Ampeg SVT-VR Vintage Reissue 300 Watt SVT Amp Head Features:

  • 300W
  • 2-channel preamp
  • 6 - 6550 power tubes
  • Original power amp output spec and tube complement
  • Original preamp signal path
  • Original blue-line graphics and cosmetics
  • Original EQ rocker switches
  • XLR output
  • Slave out

The signature sonics and looks of the original. Order now!



Aphex 207D Tube Microphone/Instrument Preamp with Digital Out
List Price: $599.00
 Available from Musicians Friend
 $499.00
 on 6-18-2008
 Larger Image
Enhanced View
Buy it Now!

Digital that preserves all the presence of your most refined performances.

The Aphex 207D Tube Microphone/Instrument Preamp with Digital Out adds AES/EBU and S/PDIF digital outputs to the popular 207 tube preamp, providing direct digital connection throughout your signal chain, with up to 96kHz sampling rates. The 207D also adds word clock for digital clocking synchronization.

The Aphex 207D is an audiophile-quality 2-channel tube mic preamp designed to reveal the subtlety and power of vintage condensers, ribbons, electrets, and popular dynamic mics. MicLim circuitry offers virtually crashproof performance making it a perfect front end for digital recorders. An insert loop is provided for adding effects prior to conversion. Offers up to 65dB of continuously variable gain, 48V phantom power, polarity select, -20dB pad, low cut filter switches, switchable -10dBv or +4dBu operating levels, balanced XLR and TRS I/O, and a delayed turn-on circuit for speaker protection.

The Aphex 207D tube preamp makes use of patented Reflected Plate Amplifier (RPA) technology, a true vacuum tube circuit which has all the desired characteristics without the heat, fragility, sonic variability, short life, and high frequency roll-off of conventional tube designs.

Aphex 207D Tube Microphone/Instrument Preamp with Digital Out Features:

  • 2-channel tube preamp
  • MicLim circuitry
  • Reflected Plate Amplifier technology
  • I/O: XLR and TRS, AES/EBU and S/PDIF outs, insert, word clock
  • Up to 96kHz sampling rate
  • 65dB continuously variable gain
  • 48V phantom power
  • Polarity select
  • -20dB pad
  • Low cut filter switches
  • Switchable -10 dBv or +4 dBu levels
  • Delayed turn-on circuit

The interface you've been looking for to blissfully blend the analog and digital worlds. Order today.



Aphex 230 Master Voice Channel Tube Mic Pre
List Price: $799.00
 Available from Musicians Friend
 $699.99
 on 6-18-2008
 Larger Image
Enhanced View
Buy it Now!

Makes voices sound bigger than life!

The Aphex 230 Master Voice Channel Tube Mic Pre is an indispensable broadcast station tool. Youll find them in the production room, or installed as a permanent on-air feed-through for pumping up voices. The Aphex 230 also makes a powerful and easy-to-use channel for home and project studios with its reflected-plate amplifier tube mic preamp design plus compression, gating, de-esser, parametric EQ, aural exciter, and a bottom booster.

Aphex 230 Master Voice Channel Tube Mic Pre Specifications:

  • MIC INPUT ÿ
  • ÿ Connector XLR-3F
  • ÿ Type Transformerless, NPN active balanced, tube second stage
  • ÿ Input Z 2k ohms nominal
  • ÿ Maximum Input Level (MIL) 20k ohms
  • ÿ CMRR >70 dB @ 60 Hz
  • ÿ Nominal Preamp Gain 20 to 65 dB
  • ÿ Phantom Power +48VDC
  • ÿ Pad 20dB
  • ÿ EIN -127dBu (Input Shorted)
  • ÿ Tube Type 12AT7/ECC81 Dual Triode
  • OUTPUT ÿ
  • ÿ Connector XLR-3M and 1/4" TRS Phone Jacks
  • ÿ Type XLR is Impedance Balanced (may be used unbalanced); TRS is unbalanced
  • ÿ Out Z Balanced XLR 66 ohms
  • ÿ Out Z Unbalanced XLR 33 ohms; TRS 600 ohms
  • ÿ Nominal Level XLR +4dBu; TRS -10dBV
  • ÿ Maximum Output Level +25dBu Unloaded; TRS +11dBV
  • COMPRESSOR
  • ÿ Attack / Release Program dependent, user variable release baseline
  • ÿ Ratio 4:1
  • ÿ Threshold Fixed
  • ÿ Knee Medium Hard
  • GATE
  • ÿ Attack 0.1 millisecond
  • ÿ Hold / Release 300 milliseconds / 400 milliseconds
  • ÿ Threshold Variable -50 to +20dB
  • ÿ Depth Variable, 1 to 58dB
  • DE-ESSER
  • ÿ Attack 0.1 millisecond
  • ÿ Release 100 milliseconds
  • ÿ Threshold Variable -20 to +20dB
  • ÿ Ratio 5:1
  • ÿ Active Band 4 kHz to 20kHz Linkwitz-Riley 24 db/octave crossover
  • INSERT
  • ÿ Connector type - Send 1/4" TRS Phone Jack, Balanced
  • ÿ Connector type - Return 1/4" TRS Phone Jack, Balanced
  • ÿ Nominal Operating Level 0 dBu
  • ÿ Point of Insertion Between dynamics processing and equalizers
  • BIG BOTTOM
  • ÿ Frequency 50 Hz to 280 Hz
  • ÿ Tune Off to +12dB
  • PARAMETRIC EQ
  • ÿ Frequency Tune 240 Hz to 8 kHz
  • ÿ Peak / Dip ±12dB
  • ÿ Q Range 0.5 to 5
  • AURAL EXCITER
  • ÿ Frequency Tune 500 Hz to 5kHz
  • ÿ Mix Off to +12dB
  • ANALOG AUDIO
  • ÿ THD <.01% @ +4dBu Out
  • ÿ IMD <.01% @ +4dBu Out
  • ÿ Freq Response (Flat) 18 Hz to 24kHz ±1dB
  • DIGITAL AUDIO
  • ÿ Internal Sample Rates 44.1KHz, 48KHz, 88.2KHz, 96KHz
  • ÿ External Sample Rates Automatically syncs to any word clock between 32KHz and 96KHz
  • ÿ Resolution 24 bits
  • ÿ Word Clock Input BNC Jack, High Z, Captures <1Vp-p to 5Vp-p
  • ÿ Word Clock Output BNC Jack, 75 Ohms, 5Vp-p
  • ÿ Dynamic Range Digital dynamic range greater than analog front end
  • ÿ Noise Dither Dithered by analog preamp noise floor. Equivalent to 16-bit digital audio dither.
  • ÿ Level Equivalency -20dBFS Digital = +4dBu Analog
  • OTHER SPECIFICATIONS
  • ÿ Power requirements 90-250 VAC 50-60 Hz 12W
  • ÿ Dimensions 19"W x 1.75"H x 8.25" D ÿÿ1 Rack U ÿ(482.6mm x 44.5mm x 209.6mm)
  • ÿ Depth Behind Front Panel 7.5" (190.5mm)
  • ÿ Net Weight 6 lbs (2.73 kg)
  • ÿ Shipping Weight 9 lbs (4.1 kg)

Aphex 230 Master Voice Channel Tube Mic Pre Features:

  • Reflected-plate amplifier tube mic preamp
  • EasyRider compressor
  • Logic assisted gate
  • Split-band de-esser
  • Aural exciter
  • Parametric EQ
  • Big bottom
  • +4 dBu and -10 dBV outputs
  • 24-bit 96 kHz A/D
  • AES, SPDIF and optical outputs
  • Low jitter word clock output
  • Word clock input
  • Cough switch (soft mute)

Order today and work magic with less-than-perfect voices.



ART Digital MPA Tube Microphone Preamplifier
List Price: $539.00
 Available from Musicians Friend
 $399.99
 on 6-18-2008
 Larger Image
Enhanced View
Buy it Now!

Distills digital connectivity and analog warmth into a phenomenal preamp with glowing performance.

The 2-channel ART DMPA Pro Mic Pre with Digital Outs is one of the finest microphone preamps with digital capability available. The enhanced discrete front end maintains every nuance, revealing incredible dynamic range.

Variable Input Impedance optimizes the ART DMPA for performance with a wide range of microphones. This infinitely adjustable variation dramatically alters the performance of the microphone and creates more sonic possibilities.

The selectable Tube Plate Voltage function delivers a wide variety of tones. The tube circuit is differential and provides the equivalent of a 300V power supply on the high voltage setting. With very low self-noise, the normal setting maintains classic tube preamp sounds.

The MPA Gold's unique tube circuitry utilizes 2 - 12AX7A vacuum tubes and renders unsurpassed detail and clarity with a broad range of mics. The ART DMPA Pro provides gain with controlled overload while maintaining the dynamic range of the previous stage.

In addition to the large VU meters, the MPA Gold has Tube Warmth LED metering which measures the left and right audio channel levels. Average level attack and release are measured in milliseconds and the peak function has a 20 microsecond attack time. The analog meter range is switchable between -10dB and +4dBU. The high pass filter is continuously variable from 15Hz-150Hz.

Both analog and digital outputs allow you to take advantage of the DMPA's preamp power with the widest range of formats, including AES/EBU, S/PDIF. TOSLINK, and ADAT interfaces. The Digital MPA provides 24-bit processing and can adapt to 16-bit applications with the push of a button. The A/D is front panel adjustable from 44.1 to 192k. Syncs to ADAT and external word clock (32kHz-100kHz).

ART Digital MPA Tube Microphone Preamplifier Specifications:

  • Dynamic Range: >100dB, 20Hz to 20kHz
  • Frequency Response: 15Hz to 80kHz (+0, -1dB)
  • 24-204kHz external sample rate
  • 44.1kHz, 48kHz, 88.2kHz, 96kHz, 176.4kHz, 192kHz internal sample rates
  • 24/16 bit switchable dithering
  • THD: >0.005% (typical)

ART Digital MPA Tube Microphone Preamplifier Features:

  • Variable input impedance for flexible mic voicing (150 ohms to 2400 ohms)
  • Selectable plate voltage
  • Large VU meters
  • Front-accessible meter trim
  • Improved discrete class A input microphone preamplifier
  • Low noise at low gains
  • Low THD
  • Wider frequency response
  • Front accessible instrument input jack
  • Very high input impedance
  • Automatically switches to the instrument input when you plug in
  • Digital connectivity for use with digital processors and digital recording devices
  • Wide dynamic range A/D
  • Rotary encoder for quick selection of sample rate and output format.
  • Separate analog and digital output level controls
  • Digital Level LED meters
  • ADAT optical I/O
  • Sync to incoming ADAT data rate
  • Switch selectable optical output (S/PDIF or ADAT)
  • 44.1k, 48k, 88.2k, 96k, 176.4k, 192k slectable A/D converter rates
  • Selectable Pro/Consumer output format
  • AES/EBU output on cannon connector
  • 2 wordclock jacks allowing loop through

Order yours today and find out why this is one of the most acclaimed professional mic preamps.



ART DPS II Stereo Tube Preamp with Digital Out
List Price: $329.00
 Available from Musicians Friend
 $265.99
 on 6-18-2008
 Larger Image
Enhanced View
Buy it Now!

Do digital right.

The ART DPS II Stereo Tube Preamp with Digital Out is a high-quality performer. It has continuously variable input impedance, LED input meters, auto mic/instrument switching, OPL (Output Protection Limiting) flexibility, and more tube warmth. Designed with twin discrete preamplifiers and a flexible V3 (Variable Valve Voicing) 12AX7A gain stage plus analog and digital outputs.

Preamp accepts +20dB peaks while maintaining over 120dB dynamic range and incredibly low distortion. The LED input meter monitors the signal level of the input amplifier.

The auto-switching input allows the DPS II rear inputs to stay patched in while you use the front panel instrument inputs.

It also adds additional tube voicings specifically tailored to vocal, guitar, bass, and acoustic instruments, making this an incredible DI box. The enhanced OPL is available to control overshoots and normalize levels before digital clipping occurs.

A versatile insert loop on each channel provides access for additional signal processing or direct access to a high-quality A/D converter. Separate gain controls on analog and digital outputs allow you to optimize the unit for simultaneous applications. Digital outputs include S/PDIF, TOSLINK, and ADAT (front panel selectable). The A/D converter is front panel adjustable from 44.1 to 96K or syncs to ADAT or external word clock (32kHz to 100kHz). You can patch into any ADAT stream and select which pair (or all) of channels the DPS II transmits.

ART DPS II Stereo Tube Preamp with Digital Out Features:

  • Variable input impedance
  • 24-bit/96kHz A/D conversion
  • Improved V3 Variable Valve Voicing presets
  • LED input meter
  • Analog output meter
  • Enhanced ART tube technology
  • Automatically switches between instrument and mic preamp
  • Wide frequency response: (5Hz - 50kHz)
  • Enhanced OPL (Output Protection Limiter)

The perfect blend of digital and analog tube technologies in a sweet preamp. Order yours today.



ART DPS II Stereo Tube Preamp with Digital Out Refurb
List Price: $315.00
 Available from Musicians Friend
 $229.99
 on 6-18-2008
 Larger Image
Enhanced View
Buy it Now!

Do digital right.

The ART DPS II Stereo Tube Preamp with Digital Out is a high-quality performer. It has continuously variable input impedance, LED input meters, auto mic/instrument switching, OPL (Output Protection Limiting) flexibility, and more tube warmth. Designed with twin discrete preamplifiers and a flexible V3 (Variable Valve Voicing) 12AX7A gain stage plus analog and digital outputs.

Preamp accepts +20dB peaks while maintaining over 120dB dynamic range and incredibly low distortion. The LED input meter monitors the signal level of the input amplifier.

The auto-switching input allows the DPS II rear inputs to stay patched in while you use the front panel instrument inputs.

It also adds additional tube voicings specifically tailored to vocal, guitar, bass, and acoustic instruments, making this an incredible DI box. The enhanced OPL is available to control overshoots and normalize levels before digital clipping occurs.

A versatile insert loop on each channel provides access for additional signal processing or direct access to a high-quality A/D converter. Separate gain controls on analog and digital outputs allow you to optimize the unit for simultaneous applications. Digital outputs include S/PDIF, TOSLINK, and ADAT (front panel selectable). The A/D converter is front panel adjustable from 44.1 to 96K or syncs to ADAT or external word clock (32kHz to 100kHz). You can patch into any ADAT stream and select which pair (or all) of channels the DPS II transmits.

ART DPS II Stereo Tube Preamp with Digital Out Refurb Features:

  • Variable input impedance
  • 24-bit/96kHz A/D conversion
  • Improved V3 Variable Valve Voicing presets
  • LED input meter
  • Analog output meter
  • Enhanced ART tube technology
  • Automatically switches between instrument and mic preamp
  • Wide frequency response: (5Hz - 50kHz)
  • Enhanced OPL (Output Protection Limiter)

The perfect blend of digital and analog tube technologies in a sweet preamp. Order yours today.



ART MPA Gold 2 Channel Microphone Preamp with Variable Impedance
List Price: $379.00
 Available from Musicians Friend
 $299.99
 on 6-18-2008
 Larger Image
Enhanced View
Buy it Now!

Tone, functionality, and unparalleled performance.

The ART MPA Gold 2 Channel Microphone Preamp with Variable Impedance is defined by warmth, presence, clarity, and a performance that adheres to incredibly high standards with first-class features and components.

Variable Input Impedance optimizes the ART MPA Gold 2 for performance with a wide range of microphones. This infinitely adjustable variation dramatically alters the performance of the microphone and creates more sonic possibilities.

The MPA Gold 2 preamp's selectable Tube Plate Voltage function delivers a wide variety of tones. The tube circuit is differential, and provides the equivalent of a 300V power supply on the high voltage setting. With very low self-noise, the normal setting maintains classic tube preamp sounds.

The ART MPA Gold's unique tube circuitry utilizes 2 - 12AX7A vacuum tubes and renders unsurpassed detail and clarity with a broad range of mics. It provides gain with controlled overload while maintaining the dynamic range of the previous stage.

In addition to the large VU meters, the MPA Gold mic preamp has Tube Warmth LED metering which measures the left and right audio channel levels. Average level attack and release are measured in milliseconds and the peak function has a 20-microsecond attack time. The analog meter range is switchable between -10dB and +4dBU. The High Pass filter is continuously variable from 15Hz to 150Hz.

ART MPA Gold 2 Channel Microphone Preamp with Variable Impedance Specifications:

  • Dynamic range: >100dB (20Hz to 20kHz)
  • Frequency response: 15Hz to 120kHz (+0, -1dB)
  • >0.005% (typical) THD

ART MPA Gold 2 Channel Microphone Preamp with Variable Impedance Features:

  • Variable input impedance (150 - 3000 ohms)
  • Selectable tube plate voltage
  • Large VU meters with range switch
  • Tube warmth LED meter
  • Discrete class A input microphone preamplifier
  • Lower noise at low gain stages
  • Wide frequency response and low THD
  • Front accessible input jack with high impedance
  • Automatic input switch when you plug in

The MPA Gold is a truly modern, world-class tube microphone preamplifier that will make a huge difference in the studio. Order yours today.



ART Pro Channel Tube Mic Preamp
List Price: $390.00
 Available from Musicians Friend
 $319.99
 on 6-18-2008
 Larger Image
Enhanced View
Buy it Now!

Combines the Pro MPA, Pro VLA, and Tube EQ into a single product.

The ART Pro Channel Tube Mic Preamp is a great-sounding and highly affordable professional recording channel. A Variable Mu circuit fast, fat, and a bit aggressive has been added to the compressor module or you can switch to ART's award-winning optical/tube compressor. Its 4-band parametric equalizer has selectable Q for the 2 sweepable midbands. Other features include XLR balanced and 1/4" unbalanced connections plus 1/4" unbalanced inserts, a variable low-cut filter (-3dB @ 10Hz-250Hz), and phantom power.

ART Pro Channel Tube Mic Preamp Specifications:

  • Dimensions: 19"W x 3-1/2"H x 6-1/2"D
  • Weight: 12 lbs.
  • Maximum Gain: XLR to XLR: 83dB
  • Maximum Gain: 1/4" to 1/4": 65dB
  • Dynamic Range: >100dB (20-20KHz)
  • Frequency Response: 10Hz to 20KHz (±.5dB)
  • Low-Cut Filter: Variable; -3dB@10Hz to 250Hz
  • Input/Output Connections: XLR balanced & 1/4" unbalanced
  • Insert Connections: 1/4" unbalanced
  • Input Impedance: 1.67kOhms (XLR), 1Mohm (1/4")
  • Output Impedance: 600 ohms (XLR), 300 ohms (1/4")
  • Maximum Input Level: +15dBu (XLR), +21dBu (1/4")
  • Maximum Output Level: +27dBu (XLR), +22dBu (1/4")v
  • Equivalent Input Noise: -130dBu (XLR to XLR, 'A' weighted)
  • Phantom Power: +48v DC (switchable)
  • Compression Ratio: Variable: 2:1 to >10:1
  • Attack Time: Fast: 2ms (optical), 0.5ms (vari-mu)
  • Attack Time: Slow: 15ms (for 20dB of comp)
  • Release Time: Fast: 300ms, Auto: 100ms-3sec
  • Maximum Compression: 30dB (optical), 23dB (vari-mu)

    EQ Frequency Bands:
  • Low Shelf: 40Hz/120Hz selectable
  • Low-Mid: Sweepable 20Hz to 200Hz/200Hz to 2KHz
  • Low-Mid Q: Wide/Narrow selectable
  • High-Mid Sweepable: 200Hz to 2KHz/2KHz-20KHz
  • High-Mid Q: Wide/Narrow selectable
  • High Shelf: 6KHz/18KHz selectable

    Boost and Cut/Frequency Band: ±12dB (wide), ±20dB (narrow)
  • Total Harmonic Distortion (THD): <0.1% (typical)
  • Tubes: 3 Hand-Selected
  • Power Requirements: 100-125 VAC, 30W (Export units configured for country of destination)

ART Pro Channel Tube Mic Preamp Features:

  • Optical/tube compression
  • Variable Mu compression
  • 4-band parametric EQ with selectable Q for the 2 sweepable midbands
  • Balanced XLR and unbalanced 1/4" connectors
  • 1/4" unbalanced inserts
  • Variable low-cut filter
  • Phantom power

ART Pro Channel Tube Mic Preamp Includes:

  • 5-year warranty

This is a complete recording channel that will give you studio-quality preamping, dynamics, and EQ. Order it today!



ART TPS II 2 Channel Variable Impedance Tube Preamp
List Price: $229.00
 Available from Musicians Friend
 $185.99
 on 6-18-2008
 Larger Image
Enhanced View
Buy it Now!

Phenomenal performance at a petite price.

The ART TPS II 2-Channel Variable Impedance Tube Preamp is coupled with ART's proprietary V3 (Variable Valve Voicing) functionality to deliver tremendous versatility. It features variable input impedance which allows users to dial in and match any microphone type from large condensers to ribbon mics.

Like its predecessor, the DPS, the newly improved V3 feature provides optimized reference points to begin the recording process for guitars, bass guitars, synths, acoustic instruments, percussion, vocals, and more. Unique to its class, the TPS II provides level monitoring with 2 analog meters as well as 2 newly added input monitoring LED meters. High-Z instruments or balanced microphone signals are input through front and rear panel jacks.

This newly enhanced TPS II can accept +20dB peaks while maintaining over 120dB dynamic range, quiet performance, and incredibly low distortion.

ART's legendary tube stage delivers classic warm sound and adds additional tube voicing specifically tailored to vocal, guitar, bass, and acoustic instruments, making it an incredible DI box. OPL (Output Protection Limiting) controls overshoots and normalizes levels before clipping occurs.

The TPS II was conceived, designed, and manufactured to the highest standards to provide years of quiet, reliable performance. Audition one and you too will know why the TPS II is among the most cost-effective professional mic preamp system you'll find on the market today.

ART TPS II 2-Channel Variable Impedance Tube Preamp Features:

  • Variable Input Impedance
  • Newly enhanced V3 Variable Valve Voicing
  • LED input meter
  • Analog output meter
  • Enhanced ART Tube Technology
  • Automatically switches between instrument and mic preamp
  • Wide frequency response (5hz-50kHz)
  • Enhanced OPL Output Protection Limiter
  • Toroidal transformer

One click or call will enhance your recordings without seriously deflating your wallet. Order now!



ART Tube MP Professional Mic Preamp/Processor
List Price: $55.00
 Available from Musicians Friend
 $44.99
 on 6-18-2008
 Larger Image
Enhanced View
Buy it Now!

A practical home studio alternative to high-priced onboard mic preamps!

The ART Tube MP Professional Mic Preamp/Processor is a 12AX7-based mic preamp that provides high-quality sound and smooth response. You get 70dB of gain while maintaining a low noise floor suitable for digital. Features 1/4" balanced and XLR balanced inputs, 1/4" TRS and XLR balanced outputs, input and output level controls, a phantom power switch, "soft" power up and down, and more.

ART Tube MP Professional Mic Preamp/Processor Features:

  • 12AX7 tube-based mic preamp for quality sound
  • 70dB of gain while maintaining a low noise floor suitable for digital
  • 1/4" balanced and XLR balanced inputs
  • 1/4" TRS and XLR balanced outputs, input and output level controls
  • Phantom power switch
  • "Soft" power up and down

ART Tube MP Professional Mic Preamp/Processor Includes:

  • power supply

Click or call to order today!



ART Tube MP Project Series Tube Microphone/Instrument Preamp
List Price: $89.00
 Available from Musicians Friend
 $69.99
 on 6-18-2008
 Larger Image
Enhanced View
Buy it Now!

Enhance mic, instrument, or line-level signals for input directly into your audio system.

The ART TUBE MP Project Series Preamp for Microphone and Instrument can also make your voice sound fabulous, warmed and made silky smooth by the genuine 12AX7A tube inside. A makeover of the popular original, the Tube MP features an ultra low-noise discrete mic preamp front end that has an extremely flat, wide frequency response and can handle very low and high signal levels with minimum coloration. High impedance instrument input bypasses the mic preamp circuitry for a shorter signal path. External power supply minimizes AC line noise and hum.

Input gain control and switch maximizes dynamic range of input and lets you control how hard you drive the tube. Switchable input impedance on the XLR in optimizes mic response. Bessel switchable low-cut filter removes rumble and wind noise. Set at 40Hz, it won't overly affect bass tonality. XLR input features phantom power of +48V DC from a very quiet internal high voltage power supply.

The Tube MP Project Series Preamp has an FET limiter with fast attack and musical release times that protect other gear in the chain without compression. This allows you to maximize the dynamic range of your signal before converting to digital. A phase invert switch lets you switch signal polarity at the source to minimize cancellation. Output control after the tube and limiter matches output level to a wide variety of systems. Added output section at the end of the signal path has enhanced signal drive capability to both output jacks.

ART Tube MP Project Series Tube Microphone/Instrument Preamp Features:

  • XLR and 1/4" ins with selectable phantom power
  • Gain knob
  • Output knob
  • Gain switch
  • Impedance switch
  • Filter switch
  • Phantom power switch
  • Limiter switch
  • Phase switch
  • Signal/clip meter

Now you've got the killer digital studio and the high-end mic, you need a good preamp. This one is among the best performers in its price range. Order today.



ART Tube MP Project Series Tube Microphone/Instrument Preamp Scratch 'n' Dent
List Price: $89.00
 Available from Musicians Friend
 $59.49
 on 6-18-2008
 Larger Image
Enhanced View
Buy it Now!

Enhance mic, instrument, or line-level signals for input directly into your audio system.

The ART TUBE MP Project Series Preamp for Microphone and Instrument can also make your voice sound fabulous, warmed and made silky smooth by the genuine 12AX7A tube inside. A makeover of the popular original, the Tube MP features an ultra low-noise discrete mic preamp front end that has an extremely flat, wide frequency response and can handle very low and high signal levels with minimum coloration. High impedance instrument input bypasses the mic preamp circuitry for a shorter signal path. External power supply minimizes AC line noise and hum.

Input gain control and switch maximizes dynamic range of input and lets you control how hard you drive the tube. Switchable input impedance on the XLR in optimizes mic response. Bessel switchable low-cut filter removes rumble and wind noise. Set at 40Hz, it won't overly affect bass tonality. XLR input features phantom power of +48V DC from a very quiet internal high voltage power supply.

The Tube MP Project Series Preamp has an FET limiter with fast attack and musical release times that protect other gear in the chain without compression. This allows you to maximize the dynamic range of your signal before converting to digital. A phase invert switch lets you switch signal polarity at the source to minimize cancellation. Output control after the tube and limiter matches output level to a wide variety of systems. Added output section at the end of the signal path has enhanced signal drive capability to both output jacks.

ART Tube MP Project Series Tube Microphone/Instrument Preamp - Scratch 'n' Dent Features:

  • XLR and 1/4" ins with selectable phantom power
  • Gain knob
  • Output knob
  • Gain switch
  • Impedance switch
  • Filter switch
  • Phantom power switch
  • Limiter switch
  • Phase switch
  • Signal/clip meter

Now you've got the killer digital studio and the high-end mic, you need a good preamp. This one is among the best performers in its price range. Order today.


More Items  1   2   3   4   5   6   7   8   9   10   Next 

 GuitarPeddler Home

Guitar Links

NOTICE : All prices, availability, and specifications are subject to verification by their respective retailers.
Privacy Policy
Copyright © 2008 Dominant Systems Corporation
info@guitarpeddler.com
Last Modified : 6-18-2008