Crank up the 'verb and get swept away in the classic sounds loved from the California beaches to the Grand Ol' Opry.

The Fender '65 Twin Reverb Amp is an authentic all-tube reproduction of the original classic! One of the cleanest tube amps ever, or crank it for slight crunch. Delivers 85W through two Jensen 12s. Has 2 channels, tube vibrato, tube spring reverb, tilt-back legs, and Blackface cosmetics. Includes 2-button footswitch. Order the optional Fender amp cover to protect your investment (see accessory box on this page).

Fender Vintage Reissue 65 Twin Reverb Guitar Amp Features:

• Original all-tube circuitry
• 85 watts
• 2 Jensen 12" speakers
• 2 channels
• Tube vibrato
• Tube spring reverb
• 2-button footswitch
• Blackface cosmetics
• 26-1/2"W x 20"H x 10-1/2"D
• 64 lbs.

You don't have to wait any longer for genuine Twin tube sound. Make your move today.

Great Focusrite EQ and classic preamp sound plus a few new tricks - it doesn't get much better than this.

The ISA 220 Session Pack provides all the audio precision tools required to infuse your session with Focusrite's renowned sonic performance. It features many of the original circuits of the flagship ISA 430 MKII Producer Pack, and also includes some new facilities of its own. It also features the same digital output option as the original ISA 430, providing you with a high-quality digital route direct from the ISA 220 into your digital recording system.

The ISA 220 starts with the classic Focusrite transformer-coupled microphone pre amp, with phantom power and phase reverse. A four-band Focusrite EQ section follows, based on the EQ circuits featured in the ISA 430 and ISA 110. (The original ISA 110 was designed by Mr. Rupert Neve for George Martin's Air Studios in London.) The compressor features a proprietary Class A VCA with side-chain circuitry, and can be placed in the signal flow before the EQ at the press of a button, if desired. Also included is a unique feature labeled "Blend," which provides a means of achieving smoother compression at extreme settings by mixing uncompressed source signal along with the compressed portion.

The ISA220 also features an opto-based de-esser which uses a combination of EQ and phase cancellation to create a smoother and less obtrusive result. Last but not least, a frequency adaptive, 3-band limiter is provided to ensure distortion-free limiting. For visual reference, ISA 220 provides a classic analog VU-style meter which can be switched to display input or compressor gain-reduction levels. A pair of 16-segment LED meters are included to display output levels, both analogue and digital in conjunction with the optional 24-bit/96 kHz stereo digital output (AES/EBU, S/PDIF & TOSLINK) card. This card offers 44.1 - 96 kHz operation and can be used as a high-quality mono/stereo tracking converter, or at mix down as a stereo converter for final mastering.

Focusrite ISA 220 Session Pack Mic Preamp Specifications:

• Mic
• Noise: 123dB EIN with 150 Ohms input resistance at 60dB of gain
• THD: 0.0008%
  
  Inst. Hi Z I/P
• Noise: -96dBu
• THD: 0.003% with 0dBu
• Compressor
• Threshold Range: -28dB to +12dB
• Ratio: 1.5:1 to 10:1
• Slope: Soft knee
• Attack: 500 microseconds to 25 milliseconds
• Release 100mS to 4S, variable or auto (program dependent)
  
  De-Esser
• Threshold Range: 22dB
• Frequency Range: 2K2 to 9K2
• Ratio at Centre
• Frequency: 2:1
  
  Limiter
• Threshold Range: 20dBu
• Ratio: infinite (Brick Wall)
• Attack: Frequency dependent

Focusrite ISA 220 Session Pack Mic Preamp Features:

• Classic Focusrite transformer-based microphone preamplifier
• New Focusrite EQ featuring elements of the original ISA 110 EQ circuit
• Hi and Lo pass filters
• Precision VU metering of input level or compressor gain reduction (switchable)
• 32-LED digital meter for monitoring both the internal input and the rear-panel external input
• Focusrite discrete Class A VCA compressor design with order of compressor and EQ modules switchable from the front panel
• New Blend feature allows uncompressed dynamics to be merged with the compressed path
• De-esser with design based on optical technology
• De-esser listen mode for independent monitoring of isolated sibilant signals
• Frequency-adaptive limiter to prevent critical digital overloads
• Optional stereo A/D 24-bit/96kHz Delta Sigma converter dithers down to 20 or 16 bits
• Mic (rear panel XLR), line, and instrument (front panel) inputs
• Global bypass switch

Fosucrite EQ, compression, and preamp, with circuits from the venerable ISA 110 - what are you waiting for?

Flawless and flexible interface for the OctoPre.

24-bit/96kHz ADAT interface card provides digital outputs for all 8 OctoPre channels, which operate over the full sample frequency range (44.1, 48, 88.2, and 96kHz) and can be dithered to 16-, 20-, or 24-bit depths depending upon the destination. External word clock synchronization is possible using the rear-panel BNC connector. The card features 2 ADAT-type lightpipe output connectors. For speeds up to 48kHz, both connectors transmit all 8 channels simultaneously.

Focusrite MH436 OctoPre Dual-Port ADAT A/D Card Features:

• 24-bit/96kHz ADAT interface card
• Digital outputs for all 8 OctoPre channels
• 44.1, 48, 88.2, and 96kHz sample frequencies
• Can be dithered to 16-, 20-, or 24-bit depths
• External word clock synchronization with BNC connector
• 2 ADAT-type lightpipe output connectors
• Speeds up to 48kHz
• Both connectors transmit all 8 channels simultaneously

If ADAT is what you need, this is the card. Don't dally, do it now!

24-bit/96kHz AES/S/PDIF/ADAT interface card for the OctoPre.

Provides digital outputs for all 8 OctoPre channels, which operate over the full sample frequency range (44.1, 48, 88.2, and 96kHz) and can be dithered to 16-, 20-, or 24-bit depths depending upon the destination. External word clock synchronization is possible using the rear-panel BNC connector. The card features 2 ADAT-type lightpipe output connectors. For speeds up to 48kHz both connectors transmit all 8 channels simultaneously. And that's just the beginning, it also provides AES and S/PDIF format outputs via a 9-pin D-type connector on the rear panel. As with the ADAT-type outputs, the full range of sample rates and bit depths are available, and the converter may be synchronized to an external word clock source if required. To access the digital signals from the 9-pin D-type AES/S/PDIF output connector, the A/D card must be purchased with either an AES or S/PDIF D-type conversion cable, available separately. Either 8 AES or 8 S/PDIF outputs can be used simultaneously with 8 ADAT outputs and the OctoPre's analog outputs.

Focusrite MH437 OctoPre A/D Card Features:

• AES/S/PDIF/ADAT A/D card
• Outputs for all 8 OctoPre channels
• Full sample frequency range (44.1, 48, 88.2, and 96kHz)
• Can be dithered to 16-, 20-, or 24-bit depths
• External word clock synchronization
• 2 ADAT-type lightpipe output connectors
• Speeds up to 48kHz
• Both connectors transmit all 8 channels simultaneously
• AES and S/PDIF format output via a 9-pin D-type connector

This is the primo card for the primo pre. Order now.

The sounds of vintage classics with digital ease of use.

The Focusrite MH445 Liquid Channel is a revolutionary professional channel strip that can precisely replicate any classic microphone preamp and compressor. The Focusrite MH445 combines radical new analog preamp technology with Dynamic Convolution techniques. The Liquid Channel fuses cutting-edge analog design with lightening fast SHARC DSP. Augmented by fully digital controls and optional remote software, The Liquid Channel provides the ultimate fluid vintage collection.

Rather than creating a similar sound to vintage units, as with modeling devices, The Liquid Channel precisely replicates their sonic behavior. This is achieved through Dynamic Convolution, the application of a unique, level-dependant set of responses to an audio signal. These measured responses, sampled at numerous levels and with every possible setting combination, are applied to the input stream on a sample-by-sample basis for accurate replication.

Mic-pre replication can't be achieved with software alone. Hardware is required in addition to account for the physical interaction with the microphone. As a result, Focusrite invested vast amounts of time and energy into designing and building the ultimate "liquid" preamplifier, able to match the input impedance and signal path (transformer or electronic) of the device being replicated.

Second order harmonic distortion is a beneficial artifact of analog circuits (especially tube and transformer-coupled designs) providing the much-loved warmth. However, often 2 units of the same type will vary in the amount of second order distortion produced, so an additional control for modifying this vintage property is provided. This allows for precise matching of the Liquid Channel to your own beloved mic pre.

The Liquid Channel combines a highly complex, massively flexible analog front-end with Dynamic Convolution processing, which utilizes lightening-fast SHARC chips and runs at sample rates of up to 192kHz. The front panel controls are digital, with tactile rotary encoders; all parameters can be stored in one of 99 program memories. At the press of button, you can reload all mic-preamp, compressor and EQ settings for an individual session. If using The Liquid Channel in conjunction with a recording platform (e.g. Pro Tools), both the session files and the Liquid Channel's program memory can be sent via standard data transfer methods, providing a completely mobile recording session. Perfectly replicated vintage classics with the power and ease of use of the digital domain.

The USB port on the rear panel allows remote control of The Liquid Channel, leaving the processor safely racked away. But that's not all. The software application also serves as an archiving system for additional replicas and program memories, and permits downloads of additional classic units from www.ffliquid.com.

Focusrite MH445 Liquid Channel Specifications:

• Converter performance
  
  Sample rate: 44.1, 48, 88.2, 96, 176.4 and 192kHz
• Bit depth: 24-bit
  
  ADC
• SNR: 120dB measured with 20 Hz/22 kHz bandpass A-weighted filter
• Frequency response: ±0.05 dB between 20Hz — 20kHz
• Maximum input level: +22dBu
• THD+N: 0.00035% (-109dB)
  
  DAC
• Dynamic range: 116dB measured with 20Hz/22kHz bandpass A-weighted filter
• Frequency response: ±0.05dB between 20Hz — 20kHz
• Maximum output level: +22dBu
• THD+N: 0.0007% (-103 dB)
  
  Jitter
• Internal clock: <20 pico-seconds
• AES digital output: <200 pico-seconds
• External clock: <1 nano-second
  
  Mic pre
• Gain range: +6dB to +80dB, switched in 1dB steps
• Frequency response: variable, set by preamp chosen
• THD+N at analogue out: 0.001% measured with a +4dBu 1kHz input signal with 20Hz/22kHz bandpass filter
• THD+N at AES digital out: 0.0005% measured with a +4dBu 1kHz input signal with 20Hz/22kHz bandpass filter
• Mic noise: EIN = -126dB measured at 80dB of gain with 150 ohms source impedance and 20Hz/22kHz bandpass filter
• Noise at analog out: -92dBu measured at +6dB gain with 20Hz/22kHz bandpass A-weighted filter
• Noise at AES digital out: -119dBfs measured at + 6dB gain with 20Hz/22kHz bandpass A-weighted filter
• Maximum input level: +16dBu
• Input impedance: variable, set by preamp chosen
• CMRR: Transformer: 123dB @ 60dB of gain
• Electronic: 102dB @ 60dB of gain
  
  Line input
• Gain range: —10dB to +10dB, switched in 1dB steps
• 0dB ±0.1dB between 20Hz and 20kHz
• THD+N at analog out: 0.001% measured with a +18dBu 1kHz input signal with 20Hz/22kHz bandpass filter
• THD+N at AES digital out: 0.0004% measured with a +18dBu 1kHz input signal with 20Hz/22kHz bandpass filter
• Noise at analogue out: -92dBu measured at 0dB gain with 20Hz/22kHz bandpass A-weighted filter
• Noise at AES digital out: -120dBfs measured at 0dB gain with 20Hz/22kHz bandpass
• A-weighted filter
• Maximum input level: +22 dBu
  
  High pass filter
  
  Roll off frequency: switchable between 75Hz and 120Hz, frequency measured at —6dB down point, 12dB per octave roll-off
  
  Harmonics
• Distortion range: 0 to 15 where 15 (maximum) = 10% of 2nd-, 20% of 3rd- and 10% of 5th-order at 0dBfs (level-dependent distortion)
  
  Compressor
• In As Original mode the parameter ranges will be the same as on the original unit being replicated. In Free mode the parameter ranges are as follows:
• Threshold range: -40dB to 20dB switched in 1dB steps.
• Ratio range: 1:1 to limit
• Attack range: 0.1 mS to 2.5 S
• Release range: 0.1 mS to 2.5 S
• Make-up gain: -20dB to +20dB switched in 0.5dB steps
  
  EQ
  
  High Shelf
• Frequency range: 200Hz to 20kHz
• Gain: +/-18dB
  
  Mid Band
• Frequency range: 100Hz to 10kHz
• Gain: +/-18dB
• Q: variable between 0.8 and 2.5
  
  Low Shelf
• Frequency range: 10Hz to 1kHz
• Gain: +/-18dB
  
  Weight: 19 lbs./8.6 kg
• Dimensions: 19"W x 3-1/3"H x 10-5/8"D/484mm W x 85mm H x 270mm D
• 2U rackmount

Focusrite MH445 Liquid Channel Features:

• Precisely replicates any classic mic-pre and compressor
• Combines radical new analog pre-amp technology with Dynamic Convolution techniques
• Fuses cutting-edge analog design with lightning fast SHARC DSP running at 192kHz
• All settings parameters can be stored in one of 99 program memories
• USB port on the rear panel allows remote control
• Software allows it to serves as an archiving system for additional replicas and program memories

It's every front end ever built. Buy it today and have a more fully equipped studio than you ever dreamed possible.

Lower-cost version of the original and very popular OctoPre.

OctoPre LE from Focusrite will find homes in studios that do not require some of the original OctoPre's features, yet desire an excellent sounding multichannel front end.

You get 8 channels of classic Focusrite preamplification based on the popular Green Range 8 analog outputs. An optional digital I/O card (see product box below) both accepts and transmits digital audio in either 44.1 or 48kHz 24-bit ADAT optical lightpipe format.

The OctoPre can also be used as a monitoring control between DAW and speaker system, for up to 7.1 surround monitoring. 8 balanced (although unbalanced can be used) 1/4" jack inputs on the front panel offer quick and easy access, and the first 2 channels can be used for DI-free plug-in of guitars and basses. Channels 1 and 2 feature rear panel XLR inputs.

Of course, the OctoPre features Focusrite's advanced analog circuit design, with comprehensive A/D and D/A interface options for the ultimate in flexbility. It's perfect for digital audio workstations or for use as part of a compact multichannel location recording solution. It also provides an additional set of professional-quality mic pres for any analog or digital console or hard disk recorder.

Focusrite OctoPre LE 8-Channel Preamp Features:

• 8 balanced 1/4" inputs on front
• Optional card accepts and transmits digital audio in either 44.1 or 48kHz 24-bit ADAT optical lightpipe format
• Useful as a monitoring control between DAW and speaker system for up to 7.1 surround monitoring
• 8 balanced (although unbalanced can be used) 1/4" jack inputs located on front panel for quick and easy access
• First 2 channels can be used for DI-free plug-in of guitars and basses
• Channels 1 and 2 also allow a mic signal using rear panel XLR connections
• Focusrite analog circuit design and comprehensive A/D and D/A interface options
• Perfect for digital audio workstation
  
  

Focusrite's quality will make a believer out of you. Order today!

Serious front-end excellence!

Providing 8 pristine discrete channels of Focusrite Class A mic preamplification and compression, The Focusrite Platinum OctoPre 8-Channel Mic Preamp routes directly to any digital audio workstation via 8 standard analog outputs or via a choice of 2 optional 24-bit, 96kHz A/D converters. The new OctoPre offers the unique qualities associated with the Focusrite name at an affordable price.

Each channel features a revolutionary compressor/limiter circuit, providing a warm-sounding compressor which morphs into a brick wall limiter to avoid those critical overs, ensuring total control over all 8 channels.

The mic pres are the same as those featured elsewhere in the award-winning Focusrite Platinum range. They are a transistor-based Class A design using the same full-bandwidth philosophy as the legendary Red and ISA mic pres, ensuring detail and clarity without coloration. The first 2 "super channels" also feature phase reverse as well as TRS jack inputs on the front for quick and easy, DI-free instrument plug-in.

8 line-level balanced (+4dBu) analog inputs and outputs are provided via 25-pin D-type connectors. These D-type connectors may be routed to 8 XLRs by means of an 8-way 25-pin D-type to 8 XLR breakout cable, available separately. In addition to the analog outputs, the OctoPre can be fitted with an ADAT interface card or AES/SPDIF/ADAT interface card (both available in the related product box below).

With Class A Focusrite processing and almost all the interface options known to man, the Platinum OctoPre is the perfect partner for any Pro Tools system or any other digital audio workstation, making high-quality, multichannel recording easy. Also makes a great instant location recording solution or additional set of mic pres for any analog or digital console or hard disk recorder.

Focusrite Platinum OctoPre 8-Channel Mic Preamp Features:

• 8 discrete channels of Class A mic preamplification and compression
• 8 standard analog outputs
• Choice of 2 optional 24-bit, 96kHz A/D converters
• Revolutionary compressor/limiter circuits per channel
• Transistor-based Class A design
• First 2 channels have phase reverse and front TRS jack

It's a small price to pay for all this pristine power and flexibility. Make it yours today.

The industry reference standard in mic preamping.

With 4 preamps in a single microphone preamp unit, the Focusrite Red 1 provides stellar performance in a compact, stylish package. The Red 1 Quad preamp is ideal for use with digital systems, and for on-location multi-mic recording. Ultrahigh quality Focusrite preamps feature custom-wound input transformers. Custom-made potentiometers and sealed relays enhance performance and reliability. General features include switchable phantom power, phase reverse, an easily read illuminated VU meter, and a handy scribble disc for denoting channels. Mic gain is switched in 6dB steps over a 66dB range, for accurate precise channel matching and recall.

Focusrite Red 1 Quad Microphone Preamp Specifications:

• Mic input gain -6dB to +60dB in 6dB steps
• Frequency response: 10Hz-140kHz
• Noise (EIN): -127dBu
• Distortion:
• 0.15% (-20dBu @ 20Hz)
• 0.06% (-20dBu @ 40Hz)
• 0.003% (-20dBu @ 1kHz)
• 0.005% (-20dBu @ 10kHz)

Focusrite Red 1 Quad Microphone Preamp Features:

• Ultrahigh quality Focusrite preamps with custom-wound input transformers
• Switchable phantom power
• Phase reverse
• Easily read illuminated VU meter
• Handy scribble disc for denoting channels
• Mic gain is switched in 6dB steps over a 66dB range
  
  

It's an investment in recording quality that will yield big dividends for your studio. Order today.

A superlative preamp, compressor, limiter, and de-esser/exciter all in one.

The Red 7 Microphone Preamp from Focusrite employs a superb mic preamp with a dual-range mic gain pot for precise control. Phantom power and phase reverse are also provided. Line input is electronically balanced with continuously variable gain. An output fader offers +6dB to infinite attenuation. A full dynamics section, optimized for vocals includes a versatile compressor characterized by low noise and distortion, and transparent natural sound even when heavy compression is applied. A swept high-pass filter allows treatment for rumble, bass lift, and proximity effect. A de-esser/exciter stage can be switched to provide frequency selective de-essing or excitation.

Focusrite Red 7 Microphone Preamp with Dynamics Features:

• Combines Focusrite mic preamp, compressor, de-esser/exciter designs
• Single-channel dynamics processor ideal for high-quality recording, especially vocal applications
• Line input balance control
• Illuminated push-button switches for compressor in/out, de-esser/exciter in/out and high-pass filter in/out
• Precision VU metering of signal level or gain change (switched)
• Scribble disk
• Mic input gain: -6dB to +60dB in 2 variable ranges
• Frequency response: 10Hz-140kHz
• Noise: Better than -80dB below +4dBu output level with dynamics activated
• Distortion: 0.006% (+10dBu @ 1kHz)

It's an investment in recording quality that will yield big dividends for your studio. Order today.

The industry reference standard in mic preamping.

With 2 preamps in a single unit, the Focusrite Red 8 Dual Microphone Preamp offers stellar performance in a compact, stylish package. Ultrahigh-quality Focusrite preamps feature custom-wound input transformers. Custom made potentiometers and sealed relays enhance performance and reliability. General features include switchable phantom power, phase reverse, an easily read illuminated VU meter, and a handy scribble disc for denoting channels. Produces an incredibly transparent yet warm signal. Microphone gain is switched in 6dB steps over a 66dB range, for accurate precise channel matching and recall.

Focusrite Red 8 Dual Microphone Preamp Specifications:

• Mic input gain -6dB to +60dB in 6dB steps
• Frequency response: 10Hz-140kHz
• Noise (EIN): -127dBu
• Distortion:
• 0.15% (-20dBu @ 20Hz)
• 0.06% (-20dBu @ 40Hz)
• 0.003% (-20dBu @ 1kHz)
• 0.005% (-20dBu @ 10kHz)

Focusrite Red 8 Dual Microphone Preamp Features:

• Ultrahigh-quality Focusrite preamps with custom-wound input transformers
• Switchable phantom power
• Phase reverse
• Easily read illuminated VU meter
• Handy scribble disc for denoting channels
• Mic gain is switched in 6dB steps over a 66dB range
• Custom-wound input transformers
• Custom-made pots
• Sealed relays
• Switchable phantom power
• Phase reverse
• Easily read illuminated VU meter
• Handy scribble disc for denoting channels

When your productions demand the best gear, the Red 8 provides the crucial link that delivers warm, sparkling sonics. Order today.

Budget-friendly British mic mojo for stage and studio.

The TrakMaster Pro Channel Strip is equipped with Focusrite's world-famous FET-based microphone preamp with phantom power, line and instrumental inputs, fixed high pass filter, opto-compressor/limiter, mid-scoop EQ, and latency-free monitoring. High pass filter (12dB down at 75Hz). Selectable midnight blue porthole meter. Main output features both balanced and unbalanced output. Optional Digital Output (S/PDIF). External word clock input provided on BNC connector.

Focusrite TrakMaster Pro Channel Strip Features:

• Vocal and instrument processing channel for recording and live use
• FET-based mic pre
• Phantom power
• Line and instrumental inputs
• Fixed high pass filter
• Opto-compressor/limiter
• Mid-scoop EQ
• Latency-free monitoring
• High pass filter (12dB down at 75Hz)
• Selectable midnight blue porthole meter
• Main output features both balanced and unbalanced output
• Optional Digital Output (S/PDIF)
• External word clock input provided on BNC connector

A strip of sizzling sound! Order today.

After extensive research and engineering, the famed Genalex Gold Lion KT88 is available once again. Recreated down to the finest detail, features gold-plated grid wire, carbonized screen grids, and a tri-alloy clad plate structure for exceptional performance and sound quality.

Soft, medium, and hard style descriptions refer to break up modes of the tube for an overdriven guitar signal. The Genalex KT88 Tubes are soft-rated tubes that break up slow and have the highest amount of headroom, while hard-rated tubes break up easier and have the least headroom, yielding a heavier, harder distortion. Medium-rated tubes fall in between.

Save BIG when you buy today!

All tube, all Genz-Benz, all good.

The Genz-Benz Black Pearl 1X12 Combo Amp is a classic, all-tube, EL 84, Class A design combined with the upgrades, enhancements and tone you would expect from Genz-Benz. This amplifier is built for those that know tone and feel are inseparable.

Single 12" cabinet design loaded with the Red Fang Alnico loudspeaker from Eminence, for those who crave the more compact Class A vibe.

Genz Benz Black Pearl 1X12 Combo Amp Specifications:

• Power Output: 30W/15W/8W
• Channels: 1
• Preamp Tubes: 5x12AX7/12AU7
• Power Amp Tubes: 4xEL 84
• Speaker configuration: 1 x 12
• Weight Lbs.: 53
• Dimensions HxWxD: 20-1/2" x 22" x 12"

Genz Benz Black Pearl 1X12 Combo Amp Features:

• Class A, EL 84 power tubes
• All-tube signal path
• Flexible power selections-pentode/triode selector - 30 watts/15 watts/8 watts
• Tube boost preamp stage
• (footswitchable)
• Passive 3-band eq
• Five-position voicing circuitry Tube-driven reverb
• Tube rectifier
• Accutronics long pan reverb
• 12" Alnico Red Fang speakers by Eminence
• Solid 13-ply Baltic birch plywood cabinet
• Classic styling

Call or click today to order.

All tube, all Genz-Benz, all good.

The Genz-Benz Black Pearl 30 2x12 Combo Amp is a classic, all-tube, EL 84, Class A design combined with the upgrades, enhancements and tone you would expect from Genz-Benz. This amplifier is built for those that know tone and feel are inseparable.

This is the Black Pearl 30 at its finest: the 2 x 12" model is unmatched in its punch and backbone, not to mention its ability to handle all that the Black Pearl 30 amplifier can deliver.

The 12" Alnico's richness and clarity, along with the open back cabinet design, combine to affirm that this is one inspiring amplifier combo.

Genz Benz Black Pearl 2X12 Combo Amp Specifications:

• Power Output: 30W/15W/8W
• Channels: 1
• Preamp Tubes: 5x12AX7/12AU7
• Power Amp Tubes: 4xEL 84
• Weight Lbs.: 68
• Dimensions HxWxD: 20-1/2" x 27" x 12"

Genz Benz Black Pearl 2X12 Combo Amp Features:

• Class A, EL 84 power tubes
• All-tube signal path
• Flexible power selections-pentode/triode selector - 30 watts/15 watts/8 watts
• Tube boost preamp stage
• (footswitchable)
• Passive 3-band EQ
• Five-position voicing circuitry
• Tube-driven reverb
• Tube rectifier
• Accutronics long pan reverb
• 12" Alnico Red Fang speakers by Eminence
• Solid 13-ply Baltic birch plywood cabinet
• Classic styling

Call or click today to order.

All tube, all Genz-Benz, all good.

The Genz-Benz Black Pearl 30 Guitar Amp head is a classic, all-tube, EL 84, Class A design combined with the upgrades, enhancements and tone you would expect from Genz-Benz. This amplifier is built for those that know tone and feel are inseparable.

This is a great combination with the Black Pearl 30, 2 x 12" cabinet.

Genz Benz Black Pearl Amp Head Specifications:

• Power Output: 30W/15W/8W
• Channels: 1
• Preamp Tubes: 5x12AX7/12AU7
• Power Amp Tubes: 4xEL 84
• Weight Lbs.: 38
• Dimensions HxWxD: 11" x 22" x 12"

Genz Benz Black Pearl Amp Head Features:

• Class A, EL 84 power tubes
• All-tube signal path
• Flexible power selections-pentode/triode selector
• 30 watts/15 watts/8 watts
• Tube boost preamp stage
• (footswitchable)
• Passive 3-band eq
• Five-position voicing circuitry tube-driven reverb
• Tube rectifier
• Accutronics long pan reverb
• Solid 13-ply Baltic birch plywood cabinet
• Classic styling

Call or click today to order.

All tube, all Genz-Benz, all good.

The Genz-Benz Black Pearl 30 Guitar Amp head is a classic, all-tube, EL 84, Class A design combined with the upgrades, enhancements and tone you would expect from Genz-Benz. This amplifier is built for those that know tone and feel are inseparable.

This is a great combination with the Black Pearl 30, 2 x 12" cabinet.

Genz Benz Black Pearl Amp Head - Scratch 'n' Dent Specifications:

• Power Output: 30W/15W/8W
• Channels: 1
• Preamp Tubes: 5x12AX7/12AU7
• Power Amp Tubes: 4xEL 84
• Weight Lbs.: 38
• Dimensions HxWxD: 11" x 22" x 12"

Genz Benz Black Pearl Amp Head - Scratch 'n' Dent Features:

• Class A, EL 84 power tubes
• All-tube signal path
• Flexible power selections-pentode/triode selector
• 30 watts/15 watts/8 watts
• Tube boost preamp stage
• (footswitchable)
• Passive 3-band eq
• Five-position voicing circuitry tube-driven reverb
• Tube rectifier
• Accutronics long pan reverb
• Solid 13-ply Baltic birch plywood cabinet
• Classic styling

Call or click today to order.

Unmatched in versatility and build quality with the tone, expression and features you want.

The Genz-Benz El Diablo 100W 2x12 Guitar Combo Amp is based upon the tremendously successful El Diablo 100 tube head. Genz Benz has added elements from their proprietary GLFEX cabinet design to deliver monstrous output and tone in a combo package.

The flexed baffle design, dual GBE 1240-V75 loudspeakers and specially engineered Focus-Port delivers the huge, thumping sound you'd expect from an El Diablo combo.

The unique design of this combo offers all features of the El Diablo 100 head. From the flick of the POWER ON toggle switch, the liquid blue glow is an expression of this tone machine's warmth and uniqueness. The design of the tube power section is capable of utilizing EL 34's, 6L6's or 5881 power tubes to suit each player's artistic pallet.

Also, lurking inside this beast is a dual channel tube preamp platform, with the incredible capability of 12 unique and distinctive remote tone variations, easily accessible by the 5 button footswitch. Additionally, an Accutronics© long pan reverb is aboard for added lush character. Even when it comes to transporting EL DIABLO, our unique "EDGE LIFT" handles will give you the assurance of total control over this road-worthy amplifier.

Genz Benz El Diablo 100W 2x12 Guitar Combo Amp Specifications:

• Dimensions: 27"H x 28"W x 14"D
• Weight: 95 lbs

Genz Benz El Diablo 100W 2x12 Guitar Combo Amp Features:

• Rear Panel Features:
  
  50/100 Watt Output Selector Offers
• The Tone and Feel of 2 Different Amplifiers
• Dual Speaker Jacks w/ Impedance Selector Switch and Imp. Calculator
• Direct Output section—XLR Freq.
• Compensated w/GRND Lift; 1/4" Line Out;
• 0db or -20db Switch
• Effects Loops—Individual WARM Ch.; HOT Ch. & Global (serial) Effects Loops
• Reverb Cancel Jack—Optional Single Button Footswitch
• Foot Switch—Din Plug Input for 5 Button Footswitch (included)
• Power Inlet/Fuse Holder Plug
• 115/230 Voltage Selector Switch
  
  Front Panel Features:
  
  Tube Buffered Input Stage
• WARM Tube Ch.—Clean or Vintage Gain Sw.; Gain & Volume Preamp Controls
• ±15db Bass, Mid, Treble Tone Shaping; Reverb Level Control
• Channel Selector Switch
• HOT Tube Ch.—Classic or High Gain Sw.; Dynamic or Compressed Tube Texture; Gain & Volume Preamp Controls; Tube Contour Control; ±15db Bass, Mid, Treble Tone shaping; Reverb Level Control
• GLOBAL Section—Attack Sw. w/ Level Control; Master Reverb control; Master Volume Control ADDITIONAL FEATURES:
  
  Two Independent Tube Channels
• Six Triode Preamp Stages (3-12AX7 Tubes)
• Two Power Tubes (ships w/Ruby Tube EL 34's)
• EL34 or 6L6 Power Tube Capability
• Rear Panel Bias Pot
• Four Button Footswitch Included
  
  Warm Ch.—Full, round, pristine Clean response cascading up to pushed Vintage gain with warm upper mid break-up, rich bass and abundant sustain.
• Hot Ch.—Takes you from rich Classic tube break-up to full-bodied High Gain splendor. The option of a Dynamic or Compressed setting insures the amplifier responds to your every touch; no squashed tone or harsh buzziness here.
• Hot Ch. Tube Contour—An additional "Tone Stack" that interacts with the tube preamp and takes you from Texas tone to British zone and all points in between.
• Global Attack—Boosts a range of upper mid frequencies that enhances pick attack and bite; extremely effective as a lead boost and cutting through the mix.
• Top Mounted Edge Lift Handles
• Cabinet Impedance Selector Switch
• Birch Cabinet Construction
• Metal Speaker Grille
• Removable Casters

This is a devilishly good amp - call or click today to make it yours!

High gain, classic gain and clean El34 tube-tone splendor.

The Genz-Benz El Diablo 60W Guitar Amp Head is designed with all of the same circuitry as the El Diablo 100. The tone and feel of the El Diablo 60 is further enhanced by the Pentode/Triode configuration of the tube amplifier-essentially 2 different tube amps.

In the 60 watt Pentode mode the El Diablo 60 is a bold, aggressive amp with power and headroom to deliver pristine full-bodied clean tones and searing high gain brutality. In the 30 watt Triode mode it produces a fuller, fatter tone with a more dynamic response and increased power tube break-up with a darker complexity.

Added to all of this is the incredible capability to access 10 unique and distinctive tonal variations, via the 4-button footswitch, which further supports the versatility of this world class tube amp from Genz Benz.

Genz Benz El Diablo 60W Guitar Amp Head Features:

• Tube Buffered Input Stages
• Warm Channel - Gain & Volume Preamp Controls; +/- 15dB Bass, Mid, Treble Tone Shaping; Reverb Level Control
• Channel Selector Switch
• Hot Channel - Classic or High Gain Switch; Dynamic or Compressed Tube Texture Switch; Gain & Volume Preamp Controls; Tube Contour Control; +/- 15db Bass, Mid and Treble Tone Shaping; Reverb Level Control
• Global Section - Attack Switch with Level Control; Master Reverb Control; Master Volume Control
• Standby and Power Toggle Switches
• Four Button Foot Switch Included

This is a devilishly good amp - call or click today to make it yours!

The ultimate portable preamp!

This 12V version of the Lunatec V3 from Grace Designis based on the industry standard Lunatec V2. Designed to deliver accurate, musical preamplification with high-definition A/D conversion in a bombproof, portable, DC-powered package. Sound designers, remote engineers, classical engineers, concert tapers, or anyone with a portable recording system will be stunned by the depth, clarity, and realism the Lunatec V3 delivers.

Featuring Grace Design's ultralow distortion, 24-bit A/D converter. Flexible outputs include S/PDIF (RCA) and 2 sets of AES3 (XLR). Sample rates of 44.1, 48, 88.2, 96, 176.4, and 192kHz are supported. Both single- and dual-wire 176.4 and 192kHz AES/EBU modes are provided via a pair of XLR connectors. Also includes an analog noise-shaping dither circuit (ANSR).

Grace Design Lunatec V3 2 Channel Mic Preamp (12V) Specifications:

• A/D CONVERTER
• Dynamic range:
• 44.1kHz-192kHz, 22Hz-20kHz bandwidth @107dB
• 44.1kHz-192kHz, A-weighted @110dB
  
  THD+N:
• 44.1kHz-192kHz, -3dBFS, 22Hz-20kHz bandwidth @-101dB
  
  Frequency Response:
• Fs 44.1kHz +0.1/-0.4dB @20Hz-21kHz
• Fs 48kHZ +0.1/-0.4dB @20Hz-22kHz
• Fs 88.2kHz +0.1/-0.4dB @20Hz-42kHz
• Fs 96kHz +0.1/-0.4dB @20Hz-45kHz
• Fs 176.4kHz +0.1/-0.4dB @20Hz-75kHz
• Fs 192kHz +0.1/-0.4dB @20Hz-82kHz
  
  AMP
• Frequency Response
• @60dB gain -3dB: 6Hz-250kHz
  
  THD+N
• @20dB gain +20dBu out: 0.0011%
• @40dB gain +20dBu out: 0.0011%
• @60dB gain +20dBu out: 0.0046%
  
  Intermodulation Distortion
• @40dB gain +20dBu out
• SMPTE/DIN 4:1 50Hz,7k: <.0025%
  
  Noise - Referered to Input
• @60dB gain 50 Ohm source: <-130dB
  
  Phase Deviation
• 50Hz-20kHz: <8 degrees
  
  Crosstalk
• Either Channel: -109dB
  
  CMRR
• @60dB gain, 3.5Vcm, 1kHz: 70dB
• @60dB gain, 3.5Vcm, 10kHz: 80dB
• Output CMRR: 60dB
  
  Maximum Output Level
• Balanced: +25dBu
• Unbalanced: +19dBu
  
  Impedance
• Input: 3k
• Output: 300
• Minimum Load Impedance: 600
  
  Power Consumption
• 6-12VDC (depending on A/D settings and microphone type)
• 600-1000mA
• 2.6 lbs
• 8.25"W x 1.7"H x 5.5"D

Grace Design Lunatec V3 2 Channel Mic Preamp (12V) Features:

• 12V operation
• 24-bit A/D converter
• Discrete operation
• S/PDIF and AES3 outs

Take it anywhere, record anything, in crystal-clear audio. Order today.

The ultimate portable preamp!

This 6V version of the Lunatec V3 is based on the industry standard Lunatec V2. Designed to deliver accurate, musical preamplification with high-definition A/D conversion in a bombproof, portable, DC-powered package. Sound designers, remote engineers, classical engineers, concert tapers, or anyone with a portable recording system will be stunned by the depth, clarity, and realism the Lunatec V3 delivers.

Grace Design's ultralow distortion, 24-bit A/D converter is included as standard. Flexible outputs include S/PDIF (RCA) and 2 sets of AES3 (XLR). Sample rates of 44.1, 48, 88.2, 96, 176.4, and 192kHz are supported. Both single- and dual-wire 176.4 and 192kHz AES/EBU modes are provided via a pair of XLR connectors. Also includes an analog noise-shaping dither circuit (ANSR).

Grace Design Lunatec V3 2 Channel Mic Preamp (6V) Specifications:

• A/D CONVERTER
• Dynamic range:
• 44.1kHz-192kHz, 22Hz-20kHz bandwidth @107dB
• 44.1kHz-192kHz, A-weighted @110dB
  
  THD+N:
• 44.1kHz-192kHz, -3dBFS, 22Hz-20kHz bandwidth @-101dB
  
  Frequency Response:
• Fs 44.1kHz +0.1/-0.4dB @20Hz-21kHz
• Fs 48kHZ +0.1/-0.4dB @20Hz-22kHz
• Fs 88.2kHz +0.1/-0.4dB @20Hz-42kHz
• Fs 96kHz +0.1/-0.4dB @20Hz-45kHz
• Fs 176.4kHz +0.1/-0.4dB @20Hz-75kHz
• Fs 192kHz +0.1/-0.4dB @20Hz-82kHz
  
  AMP
• Frequency Response
• @60dB gain -3dB: 6Hz-250kHz
  
  THD+N
• @20dB gain +20dBu out: 0.0011%
• @40dB gain +20dBu out: 0.0011%
• @60dB gain +20dBu out: 0.0046%
  
  Intermodulation Distortion
• @40dB gain +20dBu out
• SMPTE/DIN 4:1 50Hz,7k: <.0025%
  
  Noise - Referered to Input
• @60dB gain 50 ohm source: <-130dB
  
  Phase Deviation
• 50Hz-20kHz: <8 degrees
  
  Crosstalk
• Either Channel: -109dB
  
  CMRR
• @60dB gain, 3.5Vcm, 1kHz: 70dB
• @60dB gain, 3.5Vcm, 10kHz: 80dB
• Output CMRR: 60dB
  
  Maximum Output Level
• Balanced: +25dBu
• Unbalanced: +19dBu
  
  Impedance
• Input: 3k
• Output: 300
• Minimum Load Impedance: 600
  
  Power Consumption
• 6-12VDC (depending on A/D settings and microphone type)
• 600-1000mA
• 2.6 lbs
• 8.25"W x 1.7"H x 5.5"D

Grace Design Lunatec V3 2 Channel Mic Preamp (6V) Features:

• 12V operation
• 24-bit A/D converter
• Discrete operation
• S/PDIF and AES3 outs

Take it anywhere, record anything; in crystal-clear audio. Order today.